The Golgo 13 series has been one of the longest running manga series of all time, first published in 1968, and still being going on today without a break. Artist Takao Saito is still drawing the series, and even with his over 80 years of age, he is still keeping up the schedule and the series he had created.
He has a fantastic drive and creative spirit, and if you wish to see how he does his work, I highly recommend the “Manben” documentary series, where his work process if recorded and commented by himself. For example, he uses his own cigarette to dry the white-out spaces on the page. To the question if he has burned the page before, he simply answers with “Yes, many times.”
And of course, his works have been adapted many times, into films and TV series of all sorts.
Golgo 13: The Professional (1983) by acclaimed and beloved director Osamu Dezaki is a fantastic way to enter the franchise, as it tells a self-contained hard-boiled story of a family drama that professional sniper “Golgo 13”, or Duke Togo as he calls himself, gets pulled into. This film is also widely known as the first anime to ever use CGI in its animation, and it truly is something to marvel at how far we have come. Seeing the 2D and 3D segments clash is simply astonishing, especially since Dezaki’s directional style is very aesthetic and precise in its framing, which is then broken with a free camera moving low poly helicopter scene. I recommend this film to anyone who enjoys a good adult crime or spy thriller, and to fans of the medium for Dezaki’s superb style, action and framing.
While the film is fondly remembered and often discussed, there is another adaptation that I wish to talk about. The 2008 TV series, simply namedGolgo 13.
This series spans 50 episodes in total, I have now seen 8 episodes and want to give you my first impressions.
Duke Togo is a professional sniper, the best in the trade. He works under the codename “Golgo 13” and practically no information is given about him: we don’t know his age, his nationality, his background or anything else. All we have is a stone-faced hitman with no internal monologue – we cannot see inside his head, neither the narrator, nor the viewer.
Togo’s days seem to follow the same structure every time. He is called by a client, he is told his mission, he starts preparing, he shoots said target, and then disappears as silently as he arrived. He gets a job, then he gets the job done. As simple as that.
While this may sound monotonous on paper, it’s the execution and variation that makes this series.
Maybe Duke will be caught halfway through the episode, and the rest is just him trying to escape the police’s grasp with mindgames. Or maybe, his client falls in love with him, so he needs to deal with this inconvenience. Or maybe, Duke is supposed to interrupt a weapon’s deal from happening.
Duke Togo. The man, the mystery, the person with the single most permanent scowl.
Essentially, Golgo 13 excels in the creativity of its cases and how these are framed. As a sniper, the main goal is not to kill some, it is to shoot somebody or something. And these can range from killing a corrupt politican, to killing a yakuza boss, but also towards shooting a violin string.
A violin master is humiliated during an important concert when one of his strings snaps. As this string is vital for the performance, he cannot play anymore and is booed off-stage. When he hears that one of his most hated rival musicians is supposed to replace him, he wants to humiliate him just the way the audience did back then: Duke is supposed to shoot the fourth string of his violin during a concert. With everyone watching. Without the musician noticing that this was sabotage. And the whole episode is dedicated to this music feud and Duke figuring out on how to do such an impossible job – planning, observing, gathering tools and then executing this complicated plan.
In another episode, Duke must fight again two ultra-modern military snipers in a desert, which slowly unfolds in a delicate and deadly game of hiding and seeking in the sand. And as these episodes tend to be quite slow and careful in its depiction of a sniper’s work, the surroundings can shine with their beautiful designs and atmosphere.
The battle goes far into the night, and the colour work is fantastic.
For a sniper, the surroundings are essential to their work, making a shot possible or impossible, so it is extraordinary to see how much care the Golgo 13 TV series puts into those. They may not be of the highest quality or most elaborate architecture, but the backgrounds and setting make everything grounded and easy to grasp.
But a world is nothing without the characters it inhabits. And here, Golgo 13 has great fun in its episodic structure, always building a little microcosm of relationships and people to visit. And this is where Duke Togo shines.
Looking at this unit of a man, one might think that he is an emotionless killer machine who just does his job and nothing else. Here is where this initial impression is wrong: By pairing him with different foes and friends to play off of, his deadpan attitude and seemingly emotionless face achieves either strong respect or a blissful comedic status.
Especially in one episode where Duke gets caught after an assassination by an equally bearish police commissioner, who is dead-set on arresting Duke. The whole argument and trying to unmask him as the true culprit feels similar to a bonkers court case, where evidence and testimonies are thrown against each other in rapid fashion.
You!
Duke Togo’s unmoving face truly is the best.
And so, this stone face becomes one of the greatest assets of the series, be it as a comedic reaction, an expression of repressed melancholy, or maybe even something more enigmatic when Duke gets entangled in romantic or life-threatening situations. And if you see his face move, be it just a twitch of the eyebrow or a silent drip of sweat running down his temples, you know that the situation is drastic.
Those rare moments really make for a nice treat, and so, Golgo 13 delivers its emotional core just a bit differently – but to great effect.
Conclusion
Of course, giving a final rating to a 50-episode show after only 8 episodes is nonsensical. However, the direction it has taken looks absolutely entertaining, and reading from other reviews, the series is not dropping its episodic structure. And so, we will get 50 little adventures in the life of Duke Togo, the sniper called “Golgo 13”.
If one looks at the staff list, we find 20 different episode directors, and maybe this is also why everything feels so fresh every time: Many different creators telling stories about the same man, all from different angles and perspectives.
Will he win every time? Sure he will, he is Duke Togo – one of the best marksmen in the world. He has done this job for over 50 real-life years now. Many stories, many cases, many clients – and yet, he continues with that unwavering face of his.
And this is what made this show a very comfy watch for me, something lovely to put on in the evening to relax. The slow preparing and planning of his jobs, the certainty that all will go well, but mixed with that light suspense of not know exactly “how”. The creativity and the wonderful execution make this simple concept shine, and I can’t wait to continue watching this series. Will it be funny, will it be dramatic? Who will he fight against, the FBI, the yakuza, or just a private person? We can only find out by taking more short but serene glimpses into the life of a Duke Togo, the sniper called “Golgo 13”.
With me writing about many different pieces of media around the globe, I rarely talk about Germany, the country I was born and live in. I’ve had some people ask me what German TV series I can recommend, either to learn and get a feel for the not-so-easy language, or to check out the culture and media landscape.
So, I compiled this list to present a few German TV series that are good and worth watching! A first draft of this list I had made available as a PDF on social media, but such things often get buried very quickly in the sands of time, so have an extended version here as an article!
(Some of those have English subtitles, others don’t, I will recommend all of them nontheless, one might never know if an international/digital release comes around.)
This is Germany’s „The Office“, while it doesn’t share the name with the UK original, it certainly is an adaptation, they even got sued after their second season for being too similar to The Office.
This series leans more towards the hard-hitting cringe comedy of the UK version instead of the surreal and lighter US version. But it is more than just a carbon copy. We have the eponymous Mr. Stromberg, who is the boss of a little office branch, and he wants to be accepted as „The Papa“, the helper for everything and a person of respect, but constantly fails. „Ernie“, a bumbling co-worker, portrayed as a character from the old GDR gets a lot of love from fans, and character constellations differ from other international adaptations. Mr. Stromberg is insanely quotable and honest, this is some of Germany’s finest comedy.
In Germany, it is available under Amazon Prime. I have no information on English subtitles.
Heiko “Schotty” Schotte is crime scene cleanup. After a murder has happened and the police is done with their gathering of information and evidence, he cleans the place professionally. Middle aged and a calm Northern lad, he normally just wants to do his job. And of course, everything escalates always in a different way.
Either he is called to a pub and starts a discussion there, or is at a magicians house, where he doesn’t know how to deal with the whole tricky furniture. He always meets colourful people, from caring grandmas, to strange kids, to friends mourning, or evil exes.
This is often considered to be the crème de la crème of German TV. Surreal, black humour and unpredictable, every episode plays out completely differently. And very often just in one room, like a theatre play.
“Der Tatortreiniger” won an important culture award for one of its episodes that plays out in a Neonazi party house, where a member was killed. The dialogue is always sharp and hilarious, but this one was pure brilliance. Shotty is fun and honest chill character, and this TV series is a must watch for anyone who wants to look at German TV.
This series is available on German Amazon Prime, I have no information on English subtitles.
A miniseries on WWII. While there are certainly a lot of films and series about the topic, this one is special and caused a lot of discussions in Germany.
It shows the war period from a civilians point of view, and how they lived their lives during the Third Reich. Five friends meet for one last night, and swear to come back, excited by the war and the new age that is upon them. This series shows the cruelty of the military, but also the propaganda, misdirection and guilt of the common people. A perspective not often found in such media.
Productionwise, this is first class. Special effects, cruelty of war, four intertwining storylines and an intense presentation. This one should have German subtitles and be available, as the BBC localised it and broadcast it on TV.
The KDD, the 24h Crime Squad, are the guys who first arrive on a crime scene, and do the initial work, but also follow up on it, if necessary. They are the tough guys who always have to be ready for the worst. And it certainly is consuming them mentally.
We follow 7 different main characters, and see their shift changes over 24h day and night. Everyone has their own problems, from drug-taking kids, to losing their partners, to freshly building a family, to dealing with grief. Basically: everyone is severely screwed up. And it’s not getting better.
This series got overwhelmingly positive reviews, but was considered “too dark” by the general public, who wanted lighter police action, not hard drama.
It therefore became a cult classic, and moved to the “artsy channel” arte in it’s third season. This feels far more akin to a Scandinavian series, with a dark mood, broken characters and depressing storylines. Cleverly written with shifting perspectives with a diverse cast of different ethnicities, genders and ages, this is an often overlooked gem.
This series is available in German on DVD and Bluray, but I have no information on subtitles. As an English version of the title exists, there should be some somewhere.
Tatort: Münster (Crime Scene: Münster)
31 episodes, all over the place, WDR, Das Erste, since 1970, but Münster since 2002-ongoing
The “Tatort” series is a great classic in German TV, every Sunday, ever since 1970, there is a new episode, but, here is the kicker: While they are all called “Tatort”, there are different teams of investigators in every big major city. Berlin, Cologne, Stuttgard, Saarbrücken… Over 15 teams are out there, each with their own city, own team, and own feeling and writing.
And the team from “Münster” is the most beloved and a fan favourite. You got a team of two guys: Frank Thiel, a hard Northern police investigator who loves football and is divorced, and pathologist Karl-Friedrich Boerne, an elitist opera goer and high society man.
The amount of bickering and banter between the two is legendary. They are friends, even living in the same house opposite each other, but they very often behave like an old couple. Boerne being especially fun, since he always wants to be where the action happens, but very often reality catches up with him: he is not a cop, neither mentally nor physically. The whole “Elitism vs. Proletariat” is strong in this one, and super fun.
The supporting cast is what makes this series perfect. Valkyrie chainsmoking prosecutor Klemm, who is constantly mistaken for a man on the phone due to her deep voice, Nadeshda, cute slav policewoman sidekick who is often smarter than the two and has to help out, and Thiel’s dad, 70 year old weed-smoking hippie, who drives a taxi and is always informed when something is going on in the city.
The perfect blend of comedy and crime series, this version of Tatort always has the highest ratings and is beloved by all. Always keep an eye out if a “Münster” episode is on!
This series is available on DVD, but I have no information if English subtitles exist.
Before Til Schweiger took over the Hamburg “Tatort” and turned it into a very self-congratulatory Hollywood spectacle show about himself and his real life daughter, there was another man guarding the city of Hamburg: Cenk Batu.
Mr. Batu was the first investigator of Turkish decent (a very important step, as the biggest migrant minority in Germany is from Turkey, with 14,6%) and his run was dark and intense. Only 6 episodes long, but nearly ever single one of them stood with me.
He is an undercover agent, having to go deep into gang warfare and terrorism plots, and thus, his private life suffers. He is depressed, has no friends, and is always in hiding. There are no police meetings, no cosy offices, he is always on the front line.
Together with the dark waters of Hamburg as a setting, this series was one of the shining ones on German TV, but it sadly ran too short, even with its conclusive ending.
Cenk Batu’s run received an international release, under the name of “Cenk Batu: Undercover Agent” and is available on DVD with English subtitles. (Although it seems out of print.) The episodes seem to be also available for purchase on Youtube.
This series is a self-deprication and ironic outlook on German TV landscape itself, playing in the institution of the ZDF. (Comparable to BBC Two, license fee funded as well.)
We follow Billie, a young female junior producer who wants to make it at the ZDF, but soon notices that this whole institution is bonkers. She gets teamed up with Sascha Hehn, an older actor who lives in his car and is only doing schmaltzy cheap romance films. Her job: Get this guy back on track. And thus, the mayhem starts. People stealing projects, funding running out, live broadcasts going wrong, you name it.
Very real and often full of dark humour, this is a fun and sharp series. Although it is pretty short, it manages to parody a lot of the German TV landscape.
The name “Lark Hill” is where the real studios of the ZDF are, so it also gets an added bonus of showing how the real studios look. A lot of actors play themselves, thus this series could be compared to the UK series Extras, just from more a production kind of view.
My DVD copy of Lerchenberg had English subtitles on it, so you should be fine with the German release, if you wish to import that one.
Now here we have a cult classic, a sci-fi satire series, based on Stanislaw Lem’s “Space Diaries”. Ijon, a slav chill space hero, rides through space with his hologram friend in a “three-bedroom-rocket” and is looking for adventure. An episodic space series, full of fun and madness, that is insanely cheap produced and not hiding it – with great success. Spaceships look like household appliances, and everything is cardboard or tin foil. And yet, it has a lot of fun with its world of cheapness.
I have only caught a few episodes here and there, but the low production value and serious passion make this one a lovely little gem to look at.
According to Wikipedia, only the second season has English subtitles on its DVD.
This show has been going on for 20 years now, with great success. It’s popcorn TV, and it has been exported all over the world. “Cobra 11” are the special unit for highway crime. It’s fast, it’s a spectacle, stuff will explode. A lot will explode. Like BIG EXPLOSIONS AND CAR PILEUPS AND PEOPLE JUMPING OUT OF CARS AND-
Here is a Japanese trailer with the VA Fumihiko Tachiki. Yes, Gendo Ikari from Neon Genesis Evangelion or Kaiji’s narrator.
Definitely not ”””Quality Television””””, but a good time and some of the finest practical stunt work Germany has brought out.
As this series has been exported into over 120 countries, there should be one version in your language.
Das Millionenspiel (The Game of Millions)
1 episode, event, “live television”, Das Erste, 1970
To include a classic of German TV, Das Millionenspiel needs to be in there. It was a scripted show, but broadcast and presented as a live show. 14 men are being hunted all throughout Germany, free to kill, by designated “hunters” who wear firearms.
Most of them have been killed already and we follow the last man, Lotz. In order to win the prize, one million marks, he has to reach the live studio. A cruel race begins.
This was presented as a sadistic Live Game Show, with open telephone lines for people to call. It became a scandal and harsh social experiment as many people gave angry calls, but also many wanting to be “hunted” or “hunters”. A lot of people fell for the fictitious show, and it marks an important moment in German TV history.
While the film can be found uploaded on Youtube, I have no information on English subtitles.
Switch Reloaded is a sketch comedy series that parodies all sorts of films and TV series. German ones and US ones as well! From CSI:Miami to Bones, to House MD, to Monk, there are a lot of parodies to be found here!
And even though you might not recognise all of the original TV series, you will have a blast with them. Television formats are the same all over the world, after all.
DVD releases and Youtube channels exist, but I have no information on English subtitles.
Phillip Walulis analyses the current TV landscape and how it works, all with parody sketches and media satire. His show is a direct adaptation of BBC Charlie Brooker’s ScreenWipe. As it has a bigger focus on German media and its tropes, it is worth looking at. Especially the short skits are fun, with reoccurring characters and a mix of analysis, information and satire, it is a worthwhile show that will make laugh and learn something.
Walulis is now working on Youtube, with weekly analysis videos, even on US media, and has his old episodes online as well. There don’t seem to be English subtitles.
Pastewka
8 seasons, 77 episodes, 2005-ongoing, Sat.1, Amazon Prime
Comedian and writer Bastian Pastewka plays himself in his eponymous series. A comedy slice of life with surreal elements as well as hint of truths here and there, as this series is an exaggerated version of his own turbulent life. Guest actors will play themselves as well, this series gets often compared to Seinfeld and Curb Your Enthusiasm, and has won several awards, German and European alike.
The series ran from 2005-2014, and recently got a sequel-revival in 2018 on German Amazon Prime. No information on English subtitles.
Now here we have something beloved, influential, and emotional to many, many people in Germany. Game One was a TV show that combined video game reviews with sketch comedy.
Back in 2006, MTV Germany wanted its own format about video games, and brought over a few nerds from a small show called GIGA Games, and told them to do something fresh and new for a young audience. And so, they did.
This was a weekly show, always airing on Friday evening, and soon became one of the flagships of MTV Germany. The two main hosts, Daniel “Budi” Budiman and Simon Krätschmer, became cult heroes to a new generation of gamers, who would lead the show with fun, charm and lot and lots of laughter. Their usually low budget soon became their own aesthetic, obvious greenscreens, lots of slapdash costumes and a big heart to hold everything together. Their self-proclaimed leitmotif: “Hauen und Pappe!”, meaning “Beatings and cardboard!”, was the peak of what this show was: lots of excellent practical humour and cheap sets.
Throw together “British surreal comedy” and “video games”, and you got Game One. Many sketches and phrases of theirs have entered the popular mindset of Germans everywhere, and when the cancellation of the show was imminent, they came together for one last hurrah: The final episode will bring tears to practically everyone who even remotely knew the show.
However, they would not disappear: They founded “Rocketbeans”, a digital TV channel, and have even revived their show as Game Two, under the new license-fee funded digital branch of ARD and ZDF called “funk”.
Game One will be fondly remembered by millions of people, and Rocketbeans are continuing their adventure to a bright future. Even if they don’t have subtitles, give the lads some love. Here is the library with all their past Game One episodes (which will always be uploaded on Youtube too somewhere), here is their new Youtube channel Rocketbeans, and here is their own presentation in 60 seconds, and it perfectly encapsulates what Game One was all about:
And that concludes the first batch of recommendations, if there is more need, I will be recommend some more, feel free to reach out!
In one of my latest Manly Mondays, I talked about the Lupin III films by director Takeshi Koike, and how the hardboiled tone really fits the series.
As already mentioned in that article, the beauty of the now 50 year old “Lupin The Third” franchise is that it comes in many shapes, zeitgeists and forms: long running TV series, big cinema releases or short-running experimental shows.
Koike’s films in 2014 and 2017 were intended for a mature audience, given the depiction of violence and intensity of the themes it portrayed, and director Saya Yamamoto’s entry in 2012, A Woman Called Fujiko Mine, was equally adult – yet with a different focus as it explored sexuality and identity of the long-established characters.
However, Lupin III had always long-running TV series as a main focus, which were split into “Parts”. In addition, each of these Parts had a different suit jacket colour for protagonist Lupin to wear, so that it was immediately clear from the first glance which series you were watching: Part 1: Green Jacket (1971-1972), Part 2: Red Jacket (1977-1980), Part 3: Pink Jacket (1984-1985).
Each “jacket colour” is also unique in feel and tone, I highly recommend checking some episodes out to see what you might like the best. As these series are very often of episodic nature, you may pick and choose to your heart’s content.
And in 2015, a new TV series came around – Part 4: Blue Jacket (2015-2016).
Let’s take a look at this new series in retrospective, what did it do and what was added to the long-running legacy of the franchise?
A Love Letter to Italy
The story of Lupin III is very much grounded in the usual set-up: Lupin is a thief, roaming the lands with Jigen, his gun-slinging friend, in a tiny yellow Fiat 500, where they will be entangled in all sorts of adventures. On this journey, they will be supported by Goemon, a friendly yet stern samurai, and Fujiko Mine, a rival thief and love interest to Lupin. They are constantly chased by Inspector Zenigata from the ICPO, whose only goal in life it is to finally bring Lupin behind bars.
Lupin III Part 4 “L’avventura italiana” takes place, as the title says, in Italy, which makes for a gorgeous setting. The Mediterranean feeling with the sunny, bright lighting is always is a beautiful sight, and as the team has to flee and chase very often, we see a lot of Italy – the countryside, the beaches, the castles, and old inner cities.
Apart from the usual sights and landmarks, the care that went into the details is astounding: euros are used throughout as currency, license plates are in the European style, and even newspapers, signs and police cars are in Italian, really selling the setting as a graspable place to be. In addition, Part 4 aired in Italy before it did in Japan, which is unusual, but fitting for this series, as Lupin III enjoys its cult status in this country.
New Friends and Foes
Part 4 brings some new additions to the usual cast, most notably Rebecca and Nix. It’s difficult to introduce new characters to a web of already established relationships, but this series manages it quite well.
Rebecca Rossellini is a rich, spoiled, but quirky and fun girl with green-yellow hair, who has an acting career, a financial empire and good looks. Having lost her parents and now the sole heir of the conglomerate, she seeks thrills in her perfect life, things she cannot buy with money.
Lupin makes a marriage proposal to her, and surprisingly, she agrees – and after less than a month, they are standing in front of the altar. It turns out, of course, that this was all an elaborate plot by Lupin to steal a certain treasure, however, all the paperwork for the marriage already went through: Rebecca has become Ms. Lupin. What should have been a short scam turns out to be more complicated, and Lupin is officially married now – it will be one of his main goals over the course of the series to get Rebecca to sign the divorce papers.
But this creates an interesting love triangle with Fujiko Mine, as well as a thematic clash of femininity: Rebecca, the fun, young and quirky girl on one side, and Fujiko, the classy, mature and experienced woman on the other side. And while they are not explicitly fighting over Lupin, the banter, conflicts and hijinks that ensue are quite fun, even from Jigen and Goemon’s side who both cannot believe that Lupin is a “husband” now.
Time to decide, Lupin!
Rebecca makes for a fun rival/romantic interest, but she is not universally present in every episode, nor does she have major influence on the complicated main story.
For me, it was the other new character that I was very fond of:
Nix, a British MI6 agent. He strictly follows his orders and thus has a few run-ins with Lupin’s crew, eiter because he actively has to fight them, or because their paths randomly cross.
Agent Nix. (“Nix” being colloquial German for “Nothing”, not sure if intended.)
His design was a standout for me: the short slightly military-tinged haircut, the stern look, the wrinkles that give his face age and character, and especially the pointy ears (which serve not only an aesthetic purpose!)
While Nix seems like an uptight and efficient spy who doesn’t do anything besides following orders to 100%, more and more details about him will be revealed over the course of the series, and in the end, I was immensely happy to have him in this series.
As it turns out, Nix has problems to keep his emotions under control, and is often in danger of “snapping”, which might be hazardous for everyone involved. When his missions carry out well, he stays calm, but if he fails or a loved one is in danger, hell breaks loose. Nix is not only a spy, he is also a family man, with three cute daughters and a strong wife, so may God have mercy on your soul if you ever intend on hurting his family.
Nix carries emotional weight in his job and in his private life, and his role of being a responsible father clashes with his dangerous profession. He is a well-round character with a slightly tragic side too, but his likability and his switching between “deadpan serious” and “full on burning rage” serves for impressive, as well as funny moments within the story.
Nix, a great rival for Lupin.
As Nix is an important character with a lot of action segments and character acting, he gets some amazing animation cuts in Part 4, for example this cut by Shinya Ohira, where he fights a rebel spy. The unusual artstyle break and the pencil shading outlines give Nix’ actions visual power and strength.
Story and Standout Episodes
The story of Lupin III Part 4 is not the tightest, as not all episodes are here to drive the main plot forward. It is episodic, with an “Adventure of the Week” format, where you can enjoy every episode on its own, and occasionally be reminded of the big scheme in the background. The story goes off the rails somewhat to longer it goes, with some pretty incredible story twists and introductions, but it is all in good fun, as the strong cast can hold any outlandish plot together. The season finale might not have the biggest impact, but a nice ending overall.
However, there are some episodes that are able to absolutely stand on their own. If you want to get a taste, or if you simply want to visit the highlights this series has to offer, here is a small selection from my personal experience:
Episode 1:Lupin’s Wedding
“Rating”: Give it a Try!
Obvious choice to take the season opener, but this episode is a great character piece, with Lupin’s and Rebecca’s wedding and the controversy it causes with Fujiko, Jigen and Goemon. In addition, the animation is top-notch and delievers movie-quality action scenes to establish Rebecca’s character. A fun intro to the series!
Episode 3, 7 and 19:0.2% Chance of Survival, The Zapping Operation and Dragons Sleep Soundly
“Rating”: Give it a Try!
Three episodes for Agent Nix, one being his introduction to his character and his skillset, being on par with Lupin and Jigen, and the other episode to show his family side and the caring father that he is. The third episode however takes a very dark spin on the spy business, with harsh violence and great danger to the protagonists. It makes for a strong tonal break that is worth checking out, if you are interested. (Keep in mind though that his episodes are more intertwined with the main plot and are not “pure” standalones!)
Episode 13:The End of Lupin III
“Rating”: MUST WATCH
The mid-season finale and the episode that deeply touched me emotionally. In a surprising twist of events, Zenigata catches Lupin. Now that he has achieved his life goal, he gets a new goal: Keep Lupin behind bars. By removing the rest of the cast and only leaving Lupin and Zenigata in a 1-on-1 theatre piece in prison and total isolation, it goes far into the relationship of the two rivals.
I was highly impressed by this episode, and I would recommend it blindly to absolutely anyone.
Episode 16: Lupin’s Day Off
“Rating”: MUST WATCH
A simple premise: Lupin, Jigen and Goemon have a day off, so they book a table at a fancy sushi restaurant. They have to arrive at 6 PM, and it is only a short drive through the countryside to get there.
This episode is slice of life beauty with perfect comedic delivery, and how much a simple idea can escalate into madness. This one had me in stitches, from the fast action to the quick jokes. A jolly good time of an episode.
Episode 20:To Hear You Sing Again
“Rating”: Highly Recommended
A melancholic episode that I don’t want to spoil too much of. It is the story of an old Italian diva and her husband, and how long such a love can last through all the ages, through the good and the bad. A touching story that may move you to tears.
Episode 26: Nonstop Rendezvous
“Rating”: ABSOLUTE MUST WATCH
This second special Bluray episode, sometimes called “Episode 26”, serves as a prequel to all of Part 4 and is an all out action romp with everything you could wish for: Fun character interaction, high-speed chase scenes, action shenanigans and full on physical comedy of the first degree. It reminds me of other amazing car chases I have only seen in films so far, and it will have you thoroughly entertained! The last few minutes may be a bit slow, as it only serves as a lead-up to Episode 1, but everything before that is pure fun and the essence of Lupin III comedy action.
Conclusion
Lupin III Part 4 was a good time, and especially cosy to watch over a long time, basically like it aired, one episode per week and going faster if you feel like it. Not all episodes are stellar, some are outright bland, such as Episode 15 where Lupin infiltrates a high school to simply fight against bumbling teachers, but overall, I had a splendid time with a few amazing highlights.
If you want to get into the Lupin III franchise, I would maybe recommend other films instead, (The Castle of Cagliostro,The Fuma Conspiracy or Jigen’s Gravestone) as you may already need a bit of a grasp on who all these characters are, before you see them interact with newer ones. I’m still happy about the introduction of Nix, I hope that he may return for the next currently airing Part 5 in 2018.
The Italian adventure makes for a comfortable series to watch as a mood piece, to just see the cast hang out and enjoy themselves, with some great action sprinkled in here and there. It’s not the best of the franchise, but a very solid entry that you can check out if you want to – and if not, you can enjoy the standalone episodes I recommended to you as short film snacks.
Overall, I’m happy that I watched it, and I look forward to more adventures of the wonderful Lupin III cast.
The End.
Sources: Wikipedia “Lupin III”, MyAnimeList “Lupin III Part 4”
Elena DS 